WRITING QUOTES XXII

quotations about writing

With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.

WOODY ALLEN

The Paris Review, fall 1995


That writer who aspires to immortality, should imitate the sculptor, if he would make the labours of the pen as durable as those of the chisel. Like the sculptor, he should arrive at ultimate perfection, not by what he adds, but by what he takes away.

CHARLES CALEB COLTON

Lacon


The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.

CHARLES DE LINT

The Blue Girl

Tags: Charles de Lint


One forges one's style on the terrible anvil of daily deadlines.

EMILE ZOLA

Le Figaro


The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.

EUGENE IONESCO

Present Past / Past Present

Tags: Eugene Ionesco


I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars.

FRED ALLEN

attributed, Books: Their History, Art, Power, Glory, Infamy and Suffering According to Their Creators, Friends and Enemies

Tags: Fred Allen


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.

HAROLD PINTER

The Progressive, March 2001

Tags: Harold Pinter


The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


I made up my mind long ago to follow one cardinal rule in all my writing -- to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics -- Well, they can do whatever they wish.

ISAAC ASIMOV

introduction, Nemesis

Tags: Isaac Asimov


The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

Tags: Louis Auchincloss


Writer's block is only a failure of the ego.

NORMAN MAILER

attributed, A Writer's Time


If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.

RAY BRADBURY

attributed, Words from the Wise

Tags: Ray Bradbury


As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.

SARAH DESSEN

interview, Puffin Books

Tags: Sarah Dessen


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.

FLANNERY O'CONNOR

Mystery and Manners


The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

GRAHAM GREENE

New York Times, October 9, 1985


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

Tags: Hans Christian Andersen